When out photographing, it’s with a sense of play: no bounds are in sight, anything is possible, and the unexpected welcome.
- Chip Forelli
Last month, I climbed up one dam and down another. I ventured into the bowels of powerhouse buildings looking at turbines, gauges, and water sumps. I stood next to deafening generators, and later felt the soft cool spray from water spewing out from massive penstocks and valves.

“Rusty Edison”
Hydroelectric facilities are a serious industrial creation: concrete structures filled with large metal cylinders, valves, wires, chains, towers, levers, pumps, controls, tools, hoses, and pipes running this way and that, disappearing into cold damp walls. These are necessities to keep California supplied with electricity.

“Two Crane Valves”
But not every part the power production scene is solemn. For a change in perspective, I allowed myself to look beyond the generators and oil containment barriers of the powerhouses comprising Southern California Edison’s Big Creek Hydroelectric projects. I took a moment to absorb the colors, shapes, and visual amusements within this utilitarian scene. Aesthetics was not in the equation when these facilities were pieced together, but there within all that power, I found what is best described as fun. Bright colors, playful antics, graffiti, graphic designs, confusing viewpoints, and abstract peculiarities, were scattered around an otherwise engineered setting. I learned that even in power, there is folly.

“Power in a Fish Bowl” and
“The Governor is Maxed Out”

I took digital photos with a Nikon D70s, Nikor AF-S 18-200mm 3,5-5.0 DX VR zoom lens. Post processing was done on my iMac using iPhoto and commercially printed.
My portfolio of twenty photographs, “Power and Folly” is currently on display at the Sierra National Forest Supervisor’s Office.

“Counting Down and Up”




